Archive for November, 2009

Visual Illusion Stumps Adults But Not Kids – Science News

It seems that children are not as visually gullible as their parents.

VISUAL ILLUSION STUMPS ADULTS BUT NOT KIDSFinding suggests that sensitivity to visual context develops slowly By Bruce Bower Web edition : Friday, November 20th, 2009 Text Size EnlargeSIZE DISGUISED In a new study of visual abilities, researchers asked volunteers to identify the biggest orange circle. Here, each orange circle on the right is 2 percent larger than the one on the left. Misleading images usually fooled adults but not children, while helpful images greatly aided adults but not kids.M. DohertySometimes seeing means deceiving before believing, depending on your age. Children and adults size up objects differently, giving youngsters protection against a visual illusion that bedevils their elders, a new study suggests.This unusual triumph of kids over grown-ups suggests that the brain’s capacity to consider the context of visual scenes, and not just focus on parts of scenes, develops slowly, say psychologist Martin Doherty of the University of Stirling in Scotland and his colleagues. Even at age 10, children lack adults’ attunement to visual context, Doherty’s team concludes in a paper published online November 12 in Developmental Science.

via Visual Illusion Stumps Adults But Not Kids – Science News.

The implications of this study are significant for a number of reasons. The one that most interests me is the suggestion that visual interpretation is learned in much the same way as language. This research suggests that we have some innate capacity to interpret images, but somehow we lose the ability to see ‘truth’ and the brain develops faulty, but one assumes evolutionarily advantageous, heuristics for visual interpretation.

Add comment November 21, 2009

Ordnance Survey maps to go online

And not a moment too soon. Given that we pay for this data to be collected and for the maps to be produced, it seems right that we should have free access to them.

Ordnance Survey maps to go online

Ordnance Survey mapping data should be free from April 2010.

Ordnance Survey map data will be freely available online to everybody from 2010, the Government has announced.

The move will allow people to interpret public statistics about crime, health and education by postcode, local authority or electoral boundary.

Currently, the geographical data is only available free of charge to small scale developers.

via BBC NEWS | Technology | Ordnance Survey maps to go online.

Add comment November 18, 2009

Colin

“Colin” for those who are uninitiated, is an independent zombie movie that has been given a lot of attention lately. With this in mind, I purchased a copy on DVD and watched it this evening. Here are my thoughts.

Firstly, “Colin” has a simple, (almost) linear, narrative. It follows the fortunes of (and this will be a surprise to no one) Colin a hapless youth who falls foul of an unexplained zombie outbreak.

Reportedly filmed for about £45 “Colin” has been the talk of the town since Cannes, where it received wide approval and plaudit. Where they got a camera, editing software and a machine to run nit on, for £45 is anyone’s guess (my guess, they kinda, sorta forgot to include this stuff in the budget). Anyway, on to the movie as a piece of art.

Much of the film is recorded in migraine inducing hand-held shaky-cam. This is one strike down in my book. Too much of anything is tiring, too much of nothing to see but flashing images is tiring and uninteresting. You get the feeling that the main purpose of the camera work is to cover for poor lighting and shoddy makeup. And when shaky-cam was not an option, they went for grainy texture art film – oh dear.

Does the film have a coherent narrative. Well, yes and no. The film follows the hapless Colin through his journey as a zombie returning to the point of his infection at his girlfriend’s flat. And this could have been so interesting, but it’s not.

It would be nice to report that the scenes where Colin, before being infected, is struggling with his, now infected, girlfriend, where in some respect moving. That his infection was the result of some noblesse oblige, but, much as this is what the film makers seem to want to portray, it just does not work.

Along the way we encounter a series of unsympathetic, vacuous characters with whom we, the audience, have difficulty relating. The one notable exception being Colin’s sister, but even this character is effectively assassinated by too saccharin a treatment (and her final conversion to a zombie, of course). The family, who attempt to ‘deprogramme’ Colin are apparently too stupid to lock doors, and so Colin and newly zombified sister make a rapid escape from the familial home so recently fortified by blacking out the windows with newspaper bearing stories of ‘walking dead’ (see what I mean be heavy handed imagery?).

The film is at times heavy on imagery. Again, unfortunately, much of this is cliched and unimaginative.

Does the score rescue the film? No. It is heavy handed and uninspiring.

So, what does the film tell us? Firstly, it tells us that you apparently cannot make a good zombie movie for £45. Secondly, it tells us that a Cannes reaction is no indication of what constitutes an interesting movie. And thirdly, it tells us that even an interesting idea can be fucked up by someone.

A reasonable summary might be Cloverfield, meets Blair Witch, meets Wasting Away but with none of the merits, such as they are, of any of these films.

Sorry guys, I really wanted to like Colin. Truly, I wanted to discover an innovative, low budget, dynamic (or at least compelling) narrative film, but “Colin” is not that film.

Look, “Colin” is exactly what I would expect from a competently student made film using a budget of £45. Nothing more.

Add comment November 4, 2009


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